Release on 2008 | by Petra Kuppers,Neil Marcus,Lisa Steichmann
Author: Petra Kuppers,Neil Marcus,Lisa Steichmann
Pubpsher: Homofactus Press
A love story for crip culture! By turns playful, unsettling, raw and moving, Cripple Poetics: A Love Story is an immersive and sensual correspondence that builds and heats by accretion-one keystroke at a time. The dance of courtship is reflected in language that alternately snakes and darts, declares and obfuscates, reminisces and forges-finding freedom within its limitations. Cripple Poetics preserves and unfolds the artifacts of an original and timely love story that might otherwise have remained shrouded in a small, forgotten corner of cyberspace.
Literature and Disability introduces readers to the field of disability studies and the ways in which a focus on issues of impairment and the representation of disability can provide new approaches to reading and writing about literary texts. Disability plays a central role in much of the most celebrated literature, yet it is only in recent years that literary criticism has begun to consider the aesthetic, ethical and literary challenges that this poses. The author explores: key debates and issues in disability studies today different forms of impairment, with the aim of showing the diversity and ambiguity of the term "disability" the intersection between literary critical approaches to disability and feminist, post-colonial, and autobiographical writing genre and representations of disability in relation to literary forms including novels, short stories, poems, plays and life writing This volume provides students and academics with an accessible overview of literary critical approaches to disability representation.
Performances in hospices and on beaches; cross-cultural myth making in Wales, New Zealand and the US; communal poetry among mental health system survivors: this book, now in paperback, presents a senior practitioner/critic's exploration of arts-based research processes sustained over more than a decade - a subtle engagement with disability culture.
Release on 1996 | by Kim Whitehead,Kim Whitehead, M.DIV., PH.D.
Author: Kim Whitehead,Kim Whitehead, M.DIV., PH.D.
The feminist poetry movement emerged as the women's movement did. It flourished in writing workshops and at open readings, on the kitchen tables of self-publishing poets/ activists, at political rallies, and in the work of established women poets who began slowly to transform their ideas about formal strategies and thematic possibilities.By 1972 feminist poetry had a solid network of feminist publishing to sustain it, and its practitioners, including Judy Grahn and Adrienne Rich, were publishing poems that contemplated not just the common oppressions faced by women but the differences between women themselves.This book explores the roots of this movement in the upheavals in American poetry in the 1960s and charts the central components of feminist poetry as they grew out of this period and as they were influenced by important, even revolutionary, women poets -- like Emily Dickinson and Muriel Rukeyser -- who had gone before. By looking not only at the volumes of poetry that emerged in the 1970s, but also at the abundant women's journals and newspapers that relied on poetry as a mainstay of expression during this period, this book demonstrates the central role that feminist poetry played in forwarding the goals and spirit of the women's movement. It also explores how this movement's early ideas and practices sustained it through periods of social and governmental backlash.
Release on 2009 | by Ine Gevers,Stichting de Beurs van Berlage,Michel Callon
diversity in art, science & society
Author: Ine Gevers,Stichting de Beurs van Berlage,Michel Callon
Pubpsher: Nai Uitgevers Pub
In society, what passes for normal, and who gets to decide? Who "looks" normal, and where do we draw the line? At a facial wrinkle, at a visible prosthesis, pills to increase intelligence, drastic cosmetic surgery? The ambitious exhibition Difference on Displayat the Beurs van Berlage in Amsterdam featured the responses of international artists to this defining social question of our time. Difference on Displayoffered three lines of approach: perfectibility (the ideal norm), consumer culture and man and technology. Alongside writings on the burgeoning discipline of disability studies-which addresses the needs of marginalized groups and the extent to which society can accommodate them-this well-illustrated publication presents work by over 80 artists, including Marc Quinn, Marlene Dumas, the Chapman Brothers, Viktor & Rolf, Louise Bourgeois and Aernout Mik.
A collection of essays which foreground modern Dublin, its writers, its universities, its literary journals, its teachers, and critics of English Studies, and the contested critical construction of regional and international poetics and cultural politics that emerges from the tense interaction of local and global literary practices and desires.
A serious and independent contribution to the literature of autobiography. -- John SturrockFrench StudiesClearly a landmark study. It seems certain to provoke a great deal of productive debate among those concerned with any of the many issues it raises. -- Comparative Literature The literary self-portrait, often considered to be an ill- formed autobiography, is receiving more attention as a result of the current obsession with personal narrative, but little progress has been made toward an understanding of its specific features. With Poetics of the Literary Self-Portrait, Michel Beaujour reveals the hidden ambitions of this genre. From St. Augustine to Montaigne, from Nietzsche to Malraux, Leiris and Barthes, individual self-portraits are analyzed jointly with the enduring cultural matrix from which self-portrayal derives its disconcerting non-narrative structure, and many of its recurrent topics.
Body, Image, and Space in the Historical Avant-Gardes
Author: Gabriele Brandstetter
Pubpsher: Oxford University Press
Category: Performing Arts
When it was first published in Germany in 1995, Poetics of Dance was already seen as a path-breaking publication, the first to explore the relationships between the birth of modern dance, new developments in the visual arts, and the renewal of literature and drama in the form of avant-garde theatrical and movement productions of the early twentieth-century. Author Gabriele Brandstetter established in this book not only a relation between dance and critical theory, but in fact a full interdisciplinary methodology that quickly found foothold with other areas of research within dance studies. The book looks at dance at the beginnings of the 20th century, the time during which modern dance first began to make its radical departure from the aesthetics of classical ballet. Brandstetter traces modern dance's connection to new innovations and trends in visual and literary arts to argue that modern dance is in fact the preeminent symbol of modernity. As Brandstetter demonstrates, the aesthetic renewal of dance vocabulary which was pursued by modern dancers on both sides of the Atlantic - Isadora Duncan and Loie Fuller, Valeska Gert and Oskar Schlemmer, Vaslav Nijinsky and Michel Fokine - unfurled itself in new ideas about gender and subjectivity in the arts more generally, thus reflecting the modern experience of life and the self-understanding of the individual as an individual. As a whole, the book makes an important contribution to the theory of modernity.