What's life really like on a fly-in-fly-out (FIFO) mine? In 2012, after touring his comedy shows through Europe, stand-up comedian Xavier Toby was broke and decided to take a job on a remote minesite to pay the bills. In his memoir, Mining My Own Business, Xavier Toby is onsite somewhere in Australia working in admin to pay off his credit card debt. Damo, Pando, Jonno, Robbo, Donk, Jokka and Dale are just some of the other blokes earning a crust, attending endless safety briefings, swapping tall tales and 'missing' the missus out there in the middle of nowhere. With Xavier, FIFO is not life on hold - it is life in hilarious overdrive.
Method Acting is one of the most popular and controversial approaches to acting in the United States. It has not only shaped important schools of acting, but has been a fundamental constant of all American acting. This insightful volume explores Method Acting from a broad perspective, focusing on a point of equilibrium between the principles of the Method and its relationship to other theories of performance. David Krasner has gathered together some of the most well-known theater scholars and acting teachers to look at the Method. By concentrating on three areas of the Method - its theory, practice, and future application - the collection will serve to inform and teach us how to approach acting and acting theory in the 21st century.
'Every day, thousands of women enter acting classes where most of them will receive some variation on the Stanislavsky-based training that has now been taught in the U.S. for nearly ninety years. Yet relatively little feminist consideration has been given to the experience of the student actress: What happens to women in Method actor training?' An Actress Prepares is the first book to interrogate Method acting from a specifically feminist perspective. Rose Malague addresses "the Method" not only with much-needed critical distance, but also the crucial insider's view of a trained actor. Case studies examine the preeminent American teachers who popularized and transformed elements of Stanislavsky’s System within the U.S.—Strasberg, Adler, Meisner, and Hagen— by analyzing and comparing their related but distinctly different approaches. This book confronts the sexism that still exists in actor training and exposes the gender biases embedded within the Method itself. Its in-depth examination of these Stanislavskian techniques seeks to reclaim Method acting from its patriarchal practices and to empower women who act. 'I've been waiting for someone to write this book for years: a thorough-going analysis and reconsideration of American approaches to Stanislavsky from a feminist perspective ... lively, intelligent, and engaging.' – Phillip Zarrilli, University of Exeter 'Theatre people of any gender will be transformed by Rose Malague’s eye-opening study An Actress Prepares... This book will be useful to all scholars and practitioners determined to make gender equity central to how they hone their craft and their thinking.' – Jill Dolan, Princeton University
In this book, the author shares her life experiences with you in the form of poetry. To be able to express herself without saying much was a great relief for her. She shares her experiences about love, joy, heartache, and pain. Also what it means to trust, lean and depend on God, because he is the only one that can bring you through all trials and tribulations. These poems will definitely make you think about your life, your relationship, and God.You could be that person that is mistreating someone and taking them through changes! If so, reading these poems could cause you to straighten up. Or maybe you are that person that is being mistreated. These poems could make you realize that you don’t have to continue to be mistreated.I am sure there will be at least one, if not, a few of the poems that you can relate to. If not, then I am sure you know someone that can relate to them. You definitely should read these poems. Once you have read them you will probably, laugh, cry, or rejoice! But most of all you will want to tell someone else about it!
Not on the Mayflower tells about the life of Dietrich W. Botstiber in Austria during the first part of the twentieth century. He describes an Austria of great beauty and bounty that, over those years, diminished in size, culture, wealth and prestige, due in large part to the breakup of the Dual Habsburg Empire, the 1938 Anschluss and the ensuing war. Botstiber witnessed the most unsettling times in Austrian history, and he recounts his own unhappiness in a country that offered him little opportunity to apply his technical skills and interests. Dietrich Botstiber believed that Americans did not fully appreciate the Austrian predicament leading up to World War II. His autobiography goes a long way toward imparting an understanding of the difficult social and economic conditions in Austria during this period. It also tells a story about the cultural life in Vienna during the early decades of the twentieth century, and about the lives of immigrants to the United States who managed to make significant contributions to their adopted country.
Undermining the positions of the enemy is one of the most ancient activities. For almost 3000 years even before 1914, it was a popular siege-breaking technique. During the Great War, arguably the greatest siege the world had ever seen, it presented a conflict environment that perfectly favoured the skills of the military miner. During 1915, the Western Front was established as a static line that grew into a huge network of defence-in-depth earthworks. Siege conditions demanded siege tactics and as the ground was everywhere mineable, the Western Front was a prime candidate for underground warfare.??Royal Engineer tunnelling companies were specialist units of the Corps of Royal Engineers within the British Army, formed to dig attacking tunnels under enemy lines during the First World War. The Cornish Miners were one of these specialist units recruited from the tin mines of Cornwall.??In February 1915, eight Tunnelling Companies were created and operational in Flanders from March 1915. By mid-1916, the British Army had around 25,000 trained tunnellers, mostly volunteers taken from mining communities. This is their story.
A centerpiece of the New History of the American West, this book embodies the theme that, as succeeding groups have occupied the American West and shaped the land, they have done so without regard for present inhabitants. Like the cowboy herding the dogies, they have cared little about the cost their activities imposed on others; what has mattered is the immediate benefit they have derived from their transformation of the land. Drawing on a recent flowering of scholarship on the western environment, western gender relations, minority history, and urban and labor history, as well as on more traditional western sources, It’s Your Misfortune and None of My Own is about the creation of the region rather than the vanishing of the frontier. Richard White tells how the various parts of the West—its distinct environments, its metropolitan areas and vast hinterlands, the various ethnic and racial groups and classes—are held together by a series of historical relationships that are developed over time. Widespread aridity and a common geographical location between the Missouri River and the Pacific Ocean would have provided but weak regional ties if other stronger relationships had not been created. A common dependence on the deferral government and common roots in a largely extractive and service-based economy were formative influences on western states and territories. A dual labor system based on race and the existence of minority groups with distinctive legal status have helped further define the region. Patterns of political participation and political organization have proved enduring. Together, these relationships among people, and between people and place, have made the West a historical creation and a distinctive region. From Europeans contact and subsequent Anglo-American conquest, through the civil-rights movement, the energy crisis, and the current reconstructing of the national and world economies, the West has remained a distinctive section in a much larger nation. In the American imagination the West still embodies possibilities inherent in the vastness and beauty of the place itself. But, Richard White explains, the possibilities many imagined for themselves have yielded to the possibilities seized by others. Many who thought themselves cowboys have in the end turned out to be dogies.