Throughout Disney's phenomenally successful run in the entertainment industry, the company has negotiated the use of cutting-edge film and media technologies that, J. P. Telotte argues, have proven fundamental to the company's identity. Disney's technological developments include the use of stereophonic surround sound for Fantasia, experimentation with wide-screen technology, inaugural adoption of three-strip Technicolor film, and early efforts at fostering depth in the animated image. Telotte also chronicles Disney's partnership with television, development of the theme park, and depiction of technology in science fiction narratives. An in-depth discussion of Disney's shift into digital filmmaking with its Pixar partnership and an emphasis on digital special effects in live-action films, such as the Pirates of the Caribbean series, also highlight the studio's historical investment in technology. By exploring the technological context for Disney creations throughout its history, The Mouse Machine illuminates Disney's extraordinary growth into one of the largest and most influential media and entertainment companies in the world. Hardback is unjacketed.
Release on 2010-07-22 | by Wayne H. McAlister,Martha K. McAlister
A Naturalist's Guide
Author: Wayne H. McAlister,Martha K. McAlister
Pubpsher: University of Texas Press
Once, all barrier islands were natural places where sand dunes and sea grasses, waterbirds and beach creatures flourished, undisturbed by human development. Matagorda Island still is. Part of a chain of five major barrier islands that shelter the Texas coastline from the Gulf of Mexico, Matagorda Island is the only one completely under public ownership-- the only one with a fate entirely in the hands of the people. This guide to the island seeks to acquaint first-time visitors and seasoned naturalists alike with the natural wealth and ecological fragility of Matagorda. In chapters on geology, history, ecology, vegetation, mammals, birds, herptiles, fish, and invertebrates, the authors show how the island is a living ecosystem, where every plant, animal, and sand dune has a role to play in maintaining the balance of nature. They also discuss the human history of Matagorda--the Karankawa Indians, European explorers, Civil War-era settlers, lighthouse keepers, and the U.S. Air Force, which used Matagorda for a bombing range during the 1940s and 1950s. Useful appendices on plants, wildflowers, and birds; maps; and line drawings amplify the text. This unique combination of human and natural history gives a full sense of what the island's past has been and what its future can be. It offers hope that on this one island, at least, humans can learn to enjoy a natural environment nondestructively, respecting the intricate web of relationships that connects the land and all living creatures.
Release on 2012-11-28 | by Tison Pugh,Susan Aronstein
A Fairy-Tale and Fantasy Past
Author: Tison Pugh,Susan Aronstein
Pubpsher: Palgrave Macmillan
"The Disney Middle Ages: A Fairy-Tale and Fantasy Past examines the intersection between the products of the Walt Disney Company and popular culture's fascination with the Middle Ages. The Disney Middle Ages have come, for many, to figure as the Middle Ages, forming the earliest visions of the medieval past for much of the contemporary western (and increasingly eastern) imaginary. The Disney Middle Ages explores Disney's accounts of the Middle Ages and their political and cultural ramifications, analyzing how these re-creations of a fairy-tale history function in modern society"--
Release on 2015-04-20 | by Kye-Si Kwon,Steven Ready
An Introduction with LabVIEW
Author: Kye-Si Kwon,Steven Ready
Pubpsher: John Wiley & Sons
For both students and engineers in R&D, this book explains machine vision in a concise, hands-on way, using the Vision Development Module of the LabView software by National Instruments. Following a short introduction to the basics of machine vision and the technical procedures of image acquisition, the book goes on to guide readers in the use of the various software functions of LabView's machine vision module. It covers typical machine vision tasks, including particle analysis, edge detection, pattern and shape matching, dimension measurements as well as optical character recognition, enabling readers to quickly and efficiently use these functions for their own machine vision applications. A discussion of the concepts involved in programming the Vision Development Module rounds off the book, while example problems and exercises are included for training purposes as well as to further explain the concept of machine vision. With its step-by-step guide and clear structure, this is an essential reference for beginners and experienced researchers alike.
AutoCAD is one of the most powerful and economical software for drafting and designing available in the market today. Keeping this software as the platform, Machine Drawing with AutoCAD provides a comprehensive and practical overview of machine dra.
Animators work within a strictly defined, limited space that requires difficult artistic decisions. The blank frame presents a dilemma for all animators, and the decision of what to include and leave out raises important questions about artistry, authorship, and cultural influence. In Animating Space: From Mickey to WALL-E, renowned scholar J. P. Telotte explores how animation has confronted the blank template, and how responses to that confrontation have changed. Focusing on American animation, Telotte tracks the development of animation in line with changing cultural attitudes toward space and examines innovations that elevated the medium from a novelty to a fully realized art form. From Winsor McCay and the Fleischer brothers to the Walt Disney Company, Warner Bros., and Pixar Studios, Animating Space explores the contributions of those who invented animation, those who refined it, and those who, in the current digital age, are using it to redefine the very possibilities of cinema.
This book explores the history of hypertext, an influential concept that forms the underlying structure of the World Wide Web and innumerable software applications. Barnet tells both the human and the technological story by weaving together contemporary literature and her exclusive interviews with those at the forefront of hypertext innovation, tracing its evolutionary roots back to the analogue machine imagined by Vannevar Bush in 1945.
Show Boat: Performing Race in an American Musical tells the full story of the making and remaking of the most important musical in Broadway history. Drawing on exhaustive archival research and including much new information from early draft scripts and scores, this book reveals how Oscar Hammerstein II and Jerome Kern created Show Boat in the crucible of the Jazz Age to fit the talents of the show's original 1927 cast. After showing how major figures such as Paul Robeson and Helen Morgan defined the content of the show, the book goes on to detail how Show Boat was altered by later directors, choreographers, and performers up to the end of the twentieth century. All the major New York productions are covered, as are five important London productions and four Hollywood versions. Again and again, the story of Show Boat circles back to the power of performers to remake the show, winning appreciative audiences for over seven decades. Unlike most Broadway musicals, Show Boat put black and white performers side by side. This book is the first to take Show Boat's innovative interracial cast as the defining feature of the show. From its beginnings, Show Boat juxtaposed the talents of black and white performers and mixed the conventions of white-cast operetta and the black-cast musical. Bringing black and white onto the same stage -- revealing the mixed-race roots of musical comedy -- Show Boat stimulated creative artists and performers to renegotiate the color line as expressed in the American musical. This tremendous longevity allowed Show Boat to enter a creative dialogue with the full span of Broadway history. Show Boat's voyage through the twentieth century offers a vantage point on more than just the Broadway musical. It tells a complex tale of interracial encounter performed in popular music and dance on the national stage during a century of profound transformations.