Both significant and timely, Blackhood Against the Police Power addresses the punishment of “race” and the disavowal of sexual violence central to the contemporary “post-racial” culture of politics. Here the author asserts that the post-racial presents an antiblack animus that should be read as desiring the end of blackness and the black liberation movement’s singular ethical claims. The book redefines policing as a sociohistorical process of implementing antiblackness and, in so doing, redefines racism as an act of sexual violence that produces the punishment of race. It smartly critiques the way leading antiracist discourse is frequently complicit with antiblackness and recalls the original 1960s conception of black studies as a corrective to the deficiencies in today’s critical discourse on race and sex. The book explores these lines of inquiry to pinpoint how the history of racial slavery wraps itself in a new discourse of disavowal. In this way, Blackhood Against the Police Power responds to a range of texts, policies, practices, and representations complicit with the police power—from the Fourth Amendment and the movements to curtail stop-and-frisk policing and mass incarceration to popular culture treatments of blackness to the leading academic discourses on race and sex politics.
Providing a timely and much-needed investigation of how U.S. law enforcement carries out its public safety and crime fighting mandates, this book is an invaluable resource for students, educators, and concerned citizens. • Provides a single-volume, go-to source for insight into police-citizen relations in the United States, from the 17th century through to today • Documents major turning points and historical events influencing the evolution of police power • Provides both supportive and critical perspectives on contemporary trends in law enforcement activities, attitudes, and practices • Enables a fuller comprehension of law enforcement in an era of significant political and social upheaval, much of which is tied to racial, ethnic, or economic factors
Release on 2006 | by Markus Dirk Dubber,Mariana Valverde
The Police Power in Domestic and International Governance
Author: Markus Dirk Dubber,Mariana Valverde
Pubpsher: Stanford University Press
This interdisciplinary and international volume provides a critical analysis of the power to police as a basic technology of modern government found in a vast array of sites of governance, including not only the state, but also the household, the factory, the military, and—most recently—the global realm of war, police actions, and peace keeping.
Anyone who considers questions of power cannot help but be struck by the ubiquitous nature, emotional force and political pull of the concept of order. The Fabrication of Social Order examines the role of policing in the fabrication of order.After an initial exploration of the original relationship between police, state power and the question of order, Neocleous focuses on the ways in which eighteenth century liberalism refined and narrowed the concept of the police, a process which masked the power of capital and broader issues of social control. In doing so he challenges the way liberalism came to define policing solely in terms of the question of crime and the rule of law. This liberal definition created a limited and fundamentally misleading understanding of policing which remains in use today. In contrast, Neocleous argues for an expanded concept of police, adequate to the expansive set of institutions through which policing takes place. These institutions are concerned not just with the maintenance or reproduction of order, but with its fabrication, especially the fabrication of a social order based on wage labour. This project, he argues, should be understood as the project of social security. Grasping this point allows a fuller understanding of the ways in which the state polices and secures civil society, and how order is fabricated through law and administration.
W. C. Handy waking up to the blues on a train platform, Buddy Bolden eavesdropping on the drums at Congo Square, John Lomax taking his phonograph recorder into a southern penitentiary - in Disturbing the Peace, Bryan Wagner revises the history of the black vernacular tradition and gives a new account of black culture by reading these myths in the context of the tradition's ongoing engagement with the law.
A Study of the Jurisprudential Concepts Underlying the Problem of Religious Freedom and Its Relationship to the Police Power in the United States, with a Special Reference to Recent Decisions of the United States Supreme Court on the Subject